James Vance (b. 1965, Miami, Florida) is a multidisciplinary artist based in Asbury Park, New Jersey. With a dynamic career spanning painting, drawing, sculpture, and large-scale installations, his work has been exhibited in New York, Miami, and Asbury Park, and featured in esteemed international publications such as Visionaire.

Beyond traditional fine art, Vance has made a significant impact in theatrical and commercial design, crafting immersive theater sets, large-scale set pieces, and exhibitions for major fashion and art events. His striking prop and mural work has been showcased in the iconic window displays of Bergdorf Goodman, Barneys, and other high-profile venues worldwide.

Theatrical Set & Exhibition Design

2015 • DANCENOISE: Don’t Look Back, Whitney Museum of American Art, NYC

2002 • Dreaming in Print: A Decade of Visionaire, Museum at the Fashion Institute of Technology, NYC

2001 • Sony 'Play'/A Decade of Visionaire, Spiral Garden, Tokyo

2001 • Visionaire's Exquisite Corpse, Carlton Arts Festival, Sao Paulo

1993 • DANCENOISE: Whitney Biennial, Whitney Museum of American Art, NYC

1992 • Kyle DeCamp, LADYLAND, The Kitchen, NYC

1992 • DANCENOISE: Hedda Gabler, Hedda GablerLa MaMa, NYC

1991 • DANCENOISE: It’s A Girl, Wiener Festwochen (Vienna Festival), Vienna

1991 • DANCENOISE: It’s A Girl, Serious Fun At Alice Tully Hall, Lincoln Center, NYC

1990 • DANCENOISE: When Women Had Tails, The Kitchen, NYC

1989 • DANCENOISE: All The RageP.S. 122, NYC

Selected Group Shows

2024 • Sea.Hear.Now Surf/Music Festival,  Asbury Park Beach, NJ

2019 • Queer City: A CNN Experience, Hudson Mercantile, NYC

2018 • Tastemakers And Rule Breakers, Red Bank Design Center, Red Bank, NJ

2018 • Male Bonding, The Collective Art Tank, Asbury Park, NJ

2018 • By A Thousand Cuts, Parlor Gallery, Asbury Park, NJ

2017 • Pleased To Meet You, Parlor Gallery, Asbury Park, NJ

2016 • Wooden Walls / Holiday Show, Parlor Gallery, Asbury Park, NJ

2012 • Fortune Favors The Bold, Parlor Gallery, Asbury Park, NJ

2009 • Home Show, Parlor Gallery, Asbury Park, NJ

1995 • The Moderns, Feature Gallery, New York, NY

1995 • Salon des Tree, Central Park, New York, NY

1994 • Red Windows: Benefit for the Little Red School House, Barneys New York, NY

1992 • People Pleasers, Holly Solomon Gallery, New York, NY

1988 • Birdcages To Benefit Max, Pyramid Club, New York, NY

1986 • Micro, Now Gallery, New York, NY

1986 • Group Show, Artifacts Art Salon, Miami Beach, FL

1985 • Burnt Toast, Joy Moos Gallery, Miami, FL

1985 • Art on Española, Miami Beach, FL

1984 • Get Fresh, Joy Moos Gallery, Miami, FL


Selected Bibliography

2017 • Billy Anania, Asbury Artist Takes Numbers In Infinite Directions, The Asbury Park Press

2016 • Richard Virgilio, Wooden Walls Art Project Artist James Vance Talks About #1871, The Asbury Park Press

2016 • Billy Anania, Asbury Park Mural Project Pushes Beauty to the North Side, The Asbury Park Press

2015 • Hilton Als, Summer Encounters, The New Yorker

2015 • Gia Knurls, The Whitney Embraces Dancenoise, a Brash ’80s Performance Duo, The New York Times

2015 • Siobhan Burke, Dancenoise Brings Biting Commentary (and Fake Blood) to the Whitney, The New York Times

2013 • Jennifer Paull, Bergdorf Goodman’s Literary Windows, Book Riot (blog)

2010 • Windows at Bergdorf Goodman, Assouline

2008 • Modern Paper Lighting, Lighting Trends (blog)

2008 • The Art of James Vance, Rochambeau (blog)

2002 • Dreaming In Print: A Decade Of Visionaire, Edition 7L

1998 • Simon Doonan, Confessions of a Window Dresser, Callaway Editions

1999 • David Bonney, Fantasy Island, Oyster Magazine

1996 • Visionaire No. 16 Calendar, (Father’s Day) Visionaire Publishing

1993 • Herbert Muschamp, Windows to the Mind of Christmas, Devouring Passion, The New York Times

1993 • Visionaire No. 10 The Alphabet, (F) Visionaire Publishing

1993 • Mayer Rus, Barneys New York & Yokohama, Interior Design, SANDOW

1993 • Jennifer Dunning, Dance in Review, The New York Times

1991 • Jennifer Dunning, Travel Hints to Doomsday Courtesy of Dancenoise, The New York Times

1986 • Robert Becker, Miami: Creating a Scene, Interview Magazine


Using Format